Offered in collaboration between the Graduate School of Arts and Sciences (GSAS) and the Poorvu Center, the competitive Associates in Teaching Program allows Ph.D. students the opportunity to expand their range of teaching experiences and responsibilities while receiving mentorship from a faculty co-teacher.
Through the Associates in Teaching program, doctoral students collaborate with a faculty member to conceptualize or redesign, plan, and deliver an undergraduate course. The faculty member offers intensive mentorship and guidance throughout the co-teaching experience, which is a key benefit of the program.
Important Dates
The deadline for Fall 2026 and Spring 2027 course applications is January 16, 2026. We hope to share final decisions by early March. Please note that there is one deadline for both semesters.
We recommend getting started on the application process as soon as possible, for several reasons:
- The January 16, 2026 deadline applies to all materials, including the application and all approvals and letters of support.
- this program involves collaborating on the design and the delivery of a course, and the application should include a provisional syllabus;
- faculty leave schedules rotate;
- you will need approval and letters of support from multiple parties; and
- there may be multiple potential faculty co-instructors for particular course topics.
A conversation with your DGS, DUS, and/or advisor early in your graduate career can help you identify your options.
How to Apply
There are three categories for eligibility, pertaining to the graduate student, the faculty co-instructor, and the course itself.
Eligibility of graduate students:
You are eligible to apply for the program if you are a Ph.D. student in the Graduate School of Arts and Sciences (GSAS), and if you meet the following qualifications:
- You will have advanced to candidacy by the time the course will be taught (note: the application may be made before advancing to candidacy).
- Your thesis advisor and Director of Graduate Study (hereafter, DGS) have agreed to submit written approval.
- You demonstrate a commitment to effective teaching through your statement about why you wish to teach in the program .
- You are in good academic standing, as confirmed by the DGS.
- You will complete your teaching in the program by the end of your sixth year of GSAS funding (or within the COVID-extension, if applicable).
- You have taught for at least one semester (at Yale or elsewhere) before the semester in which you plan to teach through the AT program.
Funding and Notation Details: The AT program substitutes for one semester of required or stipendiary teaching within the graduate student’s regular stipend years (note: it does not extend the funding clock). Graduate students will be appointed at the rank of Part-Time Acting Instructor (PTAI), which makes them instructors of record alongside the collaborating faculty member.
At the conclusion of the course, the notation “Associate in Teaching” and the title of the course will be recorded on your transcript.
Eligibility of faculty members:
Both instructional and ladder faculty are eligible to teach courses through the AT program. Faculty must provide evidence of success in teaching and working with teaching fellows in the portion of the application describing a history of effective mentoring (see Section 1, Application Materials), and through the DGS’s letter of support. Visiting faculty members, regardless of rank, are not eligible to participate in the AT program.
Eligibility of proposed course:
Undergraduate courses of all types and formats, with the exception of First-Year Seminars, are eligible for the AT program. The course:
- may be new or existing, if the course is going through a significant redesign;
- must divide the work of course design equally between the faculty member and you, regardless of whether the course is new or redesigned;
- must have a high likelihood of enrollment, and the proposal must provide strong evidence or rationale to that effect;
- must be taught in a truly collaborative fashion between the faculty member and you, with the faculty member mentoring you throughout the semester to ensure teaching happens at a co-equal level.
Note: Many graduate students choose to teach courses closely related to their dissertations. However, because experience designing and teaching introductory and intermediate courses is highly beneficial for graduate students on the academic job market in most fields, we encourage you to consider courses at that level in order to gain broader teaching experience in your fields.
The deadline for Fall 2026/Spring 2027 courses is January 16th, 2026. Please note that this deadline applies to both semesters, and it also pertains to all materials. That includes:
- The Application
- Thesis Advisor Approval
- DUS Approval
- DGS Letter
- Letter of Recommendation (Please submit only one letter of recommendation.)
Please note, Directors of Graduate and Undergraduate Studies may nominate as many courses as they choose.
The selection committee evaluates all applications using the Associates in Teaching Course Proposal Scoring Rubric. Especially important is the degree to which it is evident that you and the faculty member collaborated on the application and course design, as well as your plans for collaboration throughout the semester.
Procedure for Submission
Thank you for applying to the Associates in Teaching (AT) Program! To complete this application, you will need:
- To complete our Qualtrics application form which contains:
- Four statements. Please work with faculty to partner to answer the statements where possible and being mindful of word allowances. The material in the text boxes may not be saved between sessions, so we recommend submitting all your answers at once. You may want to write them in another document and copy and paste them in. For a complete description of the all parts of the application form see our AT Application Form Replica document.
- Provisional Syllabus (see link to upload syllabus)
- Optional materials that give evidence of teaching effectiveness (see link to upload optional materials)
- Approval from the graduate student’s thesis advisor (see the approval form linked to share with your thesis advisor and then upload to the Qualtrics application form).
- Approval from the Director of Undergraduate Studies (DUS) from the department that would host your course (see the approval form linked to share with the DUS and then upload to the Qualtrics application form).
- A letter of support from your Director of Graduate Studies (DGS) (see link to send to DGS to upload their letter)The letter of support should be no more than 300 words and should contain:
- The DGS should describe the course’s role within the departmental curriculum (in particular, the potential for enrollment and gaps that the course fills within current offerings)
- The DGS should confirm that you, the graduate student, are in good academic standing.
- The DGS should describe the faculty member’s experience as a mentor and instructor.
- If the DGS is in a position to recommend you, the graduate student, that should come in the form of a separate letter of support (in addition to their 300-word approval), described below.
- Please format file name as, ”Student Applicant Last Name Student Applicant First Name DGS Letter”
- The graduate student applicant must share all relevant information with their DGS about the deadline, where to upload the letter, the format of the file name, and the contents of the letter (see below).
- A letter of recommendation from someone who can speak to your teaching (see link to send to faculty recommender to upload their letter)
- The letter of recommendation should describe the graduate student partner’s preparation for teaching. Please note:
- These letters can come from individuals outside the department and/or institution.
- Your DGS can be one of your recommenders, but their letter of support for you must be in addition to the 300 words they write in approval of the proposed course.
- Please submit only one letter of recommendation. If you submit more than one, we will contact you to see which letter you would like to use.
- Please format file name as, “Student Applicant Last Name Student Applicant First Name Letter of Recommendation”
- The graduate student applicant must share all relevant information with their recommender about the deadline, where to upload the letter, and the format of the file name.
- The letter of recommendation should describe the graduate student partner’s preparation for teaching. Please note:
Your application will not be considered complete until we receive the appropriate materials from these individuals and you have completed the Qualtrics application form in full. All materials are due on January 16, 2026.
All student applicants will receive updates on December 12th and January 6th about their application status and what materials if any still need to be submitted (i.e., letter of recommendation, DGS letter). Any requests for updates, will be answered on December 12th and January 6th.
A selection committee composed of former AT faculty and Poorvu Center for Teaching and Learning staff will review all applications and notify applicants by mid-March 2026. Please contact the Poorvu Center (askpoorvucenter@yale.edu) if you have questions about the program.
Below, we outline the responsibilities for graduate student and faculty participants.
Expectations for Graduate Students:
As a graduate student participating in the AT program, you should….
- Play a significant role in planning and designing the course rather than simply participating in the delivery of a course that has been fully designed prior to your involvement. In the case of teaching existing courses that are being redesigned, you might participate in:
- refining and/or reconceptualizing the learning goals of the course;
- decisions about texts and topics;
- development of lectures, in-class discussions and activities;
- development of written assignments, problem sets and labs;
- development of tests, quizzes, and papers;
- and/or the development of instructional technology.
- Play a significant role in the delivery of the course. In the case of a lecture course, this will mean preparing and delivering a reasonable number of the lectures for the semester (typically about half). In the case of a seminar course, you will take responsibility for a reasonable percentage of discussions. Wherever possible, you should co-lead discussions or share in the delivery of lectures.
- Attend all class meetings to observe and reflect on the faculty member’s teaching. Regular attendance allows you to participate in discussions about teaching.
- In lecture courses that use teaching fellows, you should not supervise teaching fellows nor in any way replace the supervisory responsibilities of the faculty member. You should, however, participate in all scheduled meetings of the course, including team meetings with teaching fellows, even if not in a supervisory capacity.
Expectations for Faculty:
Faculty members should…
- Fully involve you, the graduate student applicant, in designing or redesigning the proposed course. This process should begin no later than the beginning of the semester immediately preceding the teaching of the course and include:
- refining and/or reconceptualizing the learning goals of the course;
- decisions about texts and topics;
- development of lectures, in-class discussions and activities;
- development of written assignments, problem sets and labs;
- development of tests, quizzes, and papers;
- and/or the development of instructional technology.
- Fully involve you in the delivery of the class. This may mean allowing you to prepare (with guidance) and deliver some percentage of lectures, or lead a meaningful number of class discussions (typically about half). When possible and appropriate, faculty members may want to lead class together. In any case, the faculty member should always be present and remain attentive to your teaching. Joint feedback and reflection should occur on a weekly basis.
- Assume ultimate responsibility for the logistical aspects of the course in line with Faculty of Arts and Sciences guidelines, including:
- acquiring a room,
- ordering books,
- and preparing resources.
- Shepherd the course through the university course review process and make sure the course is appropriately listed and advertised.
- The faculty member should arrange for a new course to be approved through the Course of Study Committee (a process that should be coordinated through the hosting department)
Previous Associates in Teaching
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Gbolahan Adeola and Stephanie Newell |
English |
Afropolitan Fictions |
|
Allegra Ayida and Robert Harms |
History |
Riverscapes in African History |
| Samuel Ernest and Linn Tonstad | WGSS | Nightlives |
|
Inês Forjaz de Lacerda and Aníbal Gonzalez |
Spanish & Portuguese |
Pacific Bridges: Asian Diasporas across Latin America |
|
Hannah Keller and Jessica Thompson |
Anthropology |
Being Human: The Neanderthal Dilemma |
|
Kenya Loudd and Ayah Nuriddin |
African American Studies |
Care Work: Intersectional Pedagogical, Experimental, and Theoretical Approaches to Healing |
|
Nathaniel LaCelle-Peterson and Katie Trumpener |
Film |
East/West European New Waves: Life and Revolution in the 1960s |
|
Michael Lessman and Paul Franks |
Philosophy |
Medieval Philosophy |
|
Katy Maldonado Dominguez and Leigh-Anna Hidalgo |
ER&M |
Central Americans in the United States |
|
Kelvin Ng and Sunil Amrith |
History |
Histories of Capitalism in Modern Asia |
|
Sarah Ohashi and Paula Kavathas |
MCDB |
Immunity and Contagion |
|
Carlo Sariego and Juno Richards |
WGSS |
Queer Science |
| Sifana Sohail and Yarrow Dunham | Psychology | Bringing the Lab to Life: Fully Cycle Experimental Psychology |
| Hana Stankova and Jinyi Chu | Slavic Languages and Literatures | The Stranger: Travel and Belonging Across Empires |
| Lydia Tuan and Alessandro Giammei | Italian Studies | The Aesthetic an Rhetoric of Extra, Drip, Sfarzo, & Barocco |
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Emily Korzeniewski and Ameera Nimjee |
Music |
Performing Indigenous Creativities |
|
Isaac Vock and Matthew Simon |
MB&B |
Modern Statistics for Modern RNA Biochemistry |
|
Emily Cox and Molly Brunson |
History of Art |
Art and the Arctic |
|
Minh Huynh Vu and Sunny Xiang |
American Studies |
I Don’t Like to Argue: The Styles and Politics of Humility |
|
Naomi Gluck and Daisuke Nagai |
Physics |
Introduction to Scientific Computing & Data Science in Python |
|
Gabrielle Reid and Kirk Wetters |
Germanic Languages and Literatures |
The Art of Failure |
|
Deepika Padmanabhan and Maria Hierro |
Political Science |
Secession, Counter-Secession, and Accommodation |
|
Faith Taylor and Alex Manning |
Sociology |
Carcerality and the Environment |
|
Angela Vettikkal and Michael Della Rocca |
Philosophy |
Words and Whys: Premodern South Asian and Contemporary Readings in Metaphysics |
|
Daniel Judt and Samuel Moyn |
History |
Ends of History |
|
Daniel Swain and Langdon Hammer |
English |
Poetry and the City: The New York School |
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Spencer Small and Marijeta Bozovic |
Russian/Film & Media Studies/Slavic Studies |
War Games |
|
Allison Chu and Gundula Kreuzer |
Music |
American Opera Today: Explorations of a Burgeoning Industry |
|
Josefine Klingspor and Robin Dembroff |
Philosophy |
The Philosophy of Disability |
|
Constanza Barchiesi and Jane Tylus |
Italian |
Dangerous Women: Sirens, Sibyls, Poets, and Singers from Sappho through Elena Ferrante |
|
Isaac Jean-Francois and Jacqueline Jung |
African-American Studies, American Studies, History of Art |
Bodies, Senses, Representations: Medieval and Black Studies in Conversation |
|
Katherine Daiy and Claudia Valeggia |
Anthropology |
Anthropology of Fat: Biology, Evolution, and Society |
|
Lorenz Hegel and Moria Fradinger |
Comparative Literature and Film & Media Studies |
Radical Cinemas in the Global Sixties |
|
Manon Gaudet and Edward Cooke |
History of Art |
Making, Picturing, and Marking Space: American Art and Material Culture in the Long Nineteenth Century |
|
Jade Conlee and Brian Kane |
Music |
Latin Jazz and Pacific Pop |
|
Joy Wang and Guilia Oskian |
Political Science |
Theorizing Empire |
|
Caitlin Hubbard and Jill Campbell |
English/Theatre |
Global Encounters on the English Stage, 1660-1800 |
|
David Froomkin and Ian Shapiro |
Political Science |
Designing and Reforming Democracy |
|
Ido Ben Harush and Paul North |
German/Comparative Literature |
Capitalism as Religion |
|
Katherine McNally and Kathryn Dudley |
Anthropology |
Inequality and the Anthropocene: Thinking the Unthinkable |
|
Will Johnson and Joran Booth |
Mechanical Engineering |
Intermediate Mechanical Design |
|
Ziming Liu and Egbert Bakker |
Classics |
Party Like an Athenian: Art, Text, and Culture of the Greek Symposium |
|
Nathalie Miraval and Cecile Fromont |
History of Art |
Making Monsters in the Atlantic World |
|
Benjamin Kaplow and Jonathan Wyrtzen |
Sociology |
The State and Its Environment |
|
hallie voulgaris and Jessica Peritz |
Music |
Music & Myth in Heavy Metal |
|
Beshouy Botros and Alan Mikhail |
History |
An Arabic Atlantic and Middle Eastern Americas, 1492-1887 |
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Daisuke Nagai and Aritra Ghosh |
Astronomy |
“Introduction to Scientific Computing & Data Science” |
|
Kenneth Winkler and Bridger Ehli |
Philosophy |
“Mind in Modern Philosophy” |
|
Ruth Bernard Yeazell and Colton Valentine |
English |
“The Victorian Problem Novel” |
|
Richard Burger and Corey Herrmann |
Anthropology |
“The Green Hell and the Mother Serpent: Amazonian Archaeology, Ethnography, and Politics” |
|
Tyler Pratt and Dana Stuster |
Political Science |
“Networks in International Relations” |
|
Stephen Darwall and Moya Mapps |
Philosophy |
“Critical Perspective on the Canon” |
|
Paul North and Netta Sovinsky |
German |
“How Poetry Can Change the World” |
|
Joanna Fiduccia and Patricia Ekpo |
History of Art |
“Sculpture and the Human in the 20th Century?” |
|
Emily Thornbury and Seamus Dwyer |
English |
“Laboring through the Middle Ages” |
|
Jinyi Chu and Valeriia Mutc |
Russian |
“Science and Literature in Russia” |
|
Claudia Valeggia and Victoria Harries |
Anthropology |
“Birth: Intersections between Biology, Culture, and Society” |
|
Katerina Clark and Mina Magda |
Russian |
“Modernist Paris and Moscow” |
|
Rüdiger Campe and Shira Miron |
German |
“I and Thou: Dialogue and Miscommunication in Theory and Literature” |
|
Lindsay Wright and Áine Palmer |
Music |
“Transatlantic Ireland: Race, Place, and Global Popular Music” |
|
Emily Sellars and Daniel Hirschel-Burns |
Political Science |
“The State, Conflict, and Political Order” |
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Jack Shaw and Professor Lidya Tarhan - Spring 2021 |
Geology & Geophysics |
“Earth Surface Processes” |
|
Andy Zhang and Professor María Piñango - FALL 2020 |
Linguistics |
“The Cognitive Science of Sign Languages” |
|
Beans Velocci and Professor Joanna Radin - SPRING 2021 |
History of Science and Medicine |
“Queer Science” |
|
Stephanie Nevin and Professor Bryan Garsten - SPRING 2021 |
Political Science |
“What is Education For?” |
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Carolyn Jacobs and Professor Francesco Casetti |
Film Studies |
“Scared to Death: Fear of and in Media” |
|
Catherine Slowik and Professor Brian Kane |
Music |
“Audile Techniques”-MUSI 184 |
|
Kendall Arslanian and Professor Claudia Valeggia |
Anthropology |
“Obesity: Evolution, Biology, and Society” |
|
Kevin Feeney and Professor Noel Lenski |
History |
“Global Leadership: Lessons from the Ancient Past”-HIST 204 |
|
Mark Santolucito and Professor Scott Petersen |
Computer Science |
“Creative Embedded Devices” -CPSC 334 |
|
Nica Siegel and Professor Paul North |
Germanic Languages and Literatures |
“The Death Sentence: When the State Kills” |
|
Niek Janssen and Professor Kirk Freudenberg |
Classics |
“Laughing Matters: Humor and Free Speech in Ancient Greece and Rome” -CLCV 211 |
|
Sarah Weston and Professor John Rogers |
English |
“Blake and Milton” |
|
Trina Hyun and Professor Lawrence Manley |
English |
“The Drama of Justice and Mercy” -ENGL 210 |
|
William Watson and Professor Anna Zayaruznaya |
Music |
From Concept to Concert: Sources, Editions, and the Performance of Music” -MUSI 110 |
| Instructors | Department(s) | Course Title |
|---|---|---|
|
Roger Baumann and Professor Jonathan Wyrtzen |
Sociology |
Religion and Nationalism in America |
|
Marco Ladd and Professor Gundula Kreuzer |
Music |
Listening to the Screen: Introduction to Film Music |
|
Keri Lambert and Professor Robert Harms |
History / African-American Studies |
Commodities of Colonialism in Africa |
|
Myles Lennon and Professor Professor Douglas Rogers |
Forestry and Environmental Sciences / Anthropology |
Energy and Power |
|
Andrew Muehleisen and Professor Liza Comita |
Forestry and Environmental Sciences |
Pests, Parasites, and Pathogens: An Ecological Perspective |
|
Juan Piñeros and Professor David Charles |
Philosophy |
Philosophy and Psychology of Emotions |
|
Professor Michael Veal and John Klaess |
Music |
Hip-Hop and Dub: Musical Technologies of the Black Atlantic |
|
Alexandra Reider and Professor Emily Thornbury |
English |
The Earliest English Literature |
|
Nicholas Robbins and Professor Martina Droth |
History of Art |
Sculpture, Photography, and Modernism |
|
Yasmmyn Salinas and Professor Andrew DeWan |
Public Health |
Genetic Concepts in Public Health |
|
Wiliam Watson and Professor Anna Zayaruznaya |
Music |
From Concept to Concert: Sources, Editions, and the Performance of Music |
|
Chris Hebdon and Professor Paul Kockelman |
Anthropology |
Thermodynamic Anthropology |
| Instructors | Department(s) | Course Name |
|---|---|---|
|
Professor Matthew Jacobson and Anna Duensing |
History |
Introduction to Documentary Studies |
|
Professor Emily Greenwood and Sarah Derbew |
Classics |
Africlassics: Conversations between ancient Greece, Africa and the Black Diaspora |
|
Professor David Post and Larry Bowman |
EEB |
Limnology: the study of inland waters |
|
Professor Francesco Casetti and Anna Shechtman |
Film |
Truth and Media: Information, Disinformation, Misinformation |
|
Professor Valerie Hansen and Michael Rapoport |
History |
Islam in Asia |
|
Professor Gundula Kreuzer and Annelies Andries |
Music |
Women on Stage: Baroque to Beyoncé |
|
Professor Michael Veal and John Klaess |
Music |
Hip-Hop and Dub: Musical Technologies of the Black Atlantic |
|
Professor Molly Brunson and Isabel Lane |
Slavic |
Ecology and Russian Culture |
|
Professor Andrew Papachristos and Michael Sierra-Arévalo |
Sociology |
Criminal (In)Justice in the 21st Century |
|
Professor Inderpal Grewal and Sahana Ghosh |
WGSS |
Gender and Global Development: Critical Approaches, Diverse Voices |
| Instructors | Department(s) | Course Name |
|---|---|---|
|
Professor Narges Erami and Samar Al-Bulushi |
Anthropology |
Human Rights & Social Justice |
|
Professor Erik Harms and Elliott Prasse-Freeman |
Anthropology |
The Anthropology of Human Rights |
|
Professor Jessica Brantley and Ann Killian |
English |
Medieval Women’s Writing |
|
Professor Stephanie Newell and Denise Lim |
English, Sociology, African Studies |
The Sociological Imagination in African Literatures |
|
Professor Edward Cooke and Sequoia Miller |
History of Art |
Craft, Design, and Art: Domestic Architecture and Decorative Arts Since 1900 |
|
Professor Brigitte Peucker and Kirsty Dootson |
History of Art, Film and Media Studies |
Painting and Cinema |
|
Professor Michael Della Rocca and Julia Borcherding |
Philosophy |
Reconsidering Early Modern Rationalism |
|
Professor Katerina Clark and Masha Shpolberg |
Program in Film & Media Studies |
War on Film |
|
Professor Frederick Wherry and Andrew Cohen |
Sociology |
Advertising & Society |
|
Professor Leslie Harkema and Diego del Río Arrillaga |
Spanish and Portuguese |
Introduction to the Cultures of Spain |
|
Graduate Student & Faculty Member |
Department |
Course Name |
|---|---|---|
|
Andrew Womack & William Honeychurch |
ANTH |
Integrating GIS and Remote Sensing in Archaeology |
|
Anya Adair & Roberta Frank |
ENGL [LING] |
History of the English Language |
|
Carla Baricz & David Kastan |
ENGL |
Marlowe, Shakespeare, Jonson |
|
David Auerbach & Danny Rye |
GEOL |
Dynamic Earth + Dynamic Earth Lab |
|
Andrew Hogan & Joseph Manning |
HIST |
Egypt and the Classical World in the First Millennium B.C. |
|
Mark Baker & Peter Perdue |
HIST |
History of Cities in Asia |
|
Jakub Koguciuk & Robert Nelson |
HSAR |
Constantinople and Venice |
|
Kirill Zikanov & Patrick McCreless |
MUSI |
Musical Composition, 1950 to the Present |
|
Evan Rodriguez & David Charles |
PHIL |
Accounts of Moral Weakness |
|
Wendell Smith & Corey O’Hern |
PHYS [ENAS, MB&B] |
Biological Physics |
|
Robert Wickham & Ivan De Araujo |
PSYC |
Nutrition and the Brain |
|
Jin Su Joo & Philip Smith |
SOCY |
Public Behaviors and Civic Design in Urban Spaces |
Primary Contact
For questions about the program, please contact the Teaching Development and Initiatives team.;
We’re here to help!
Reach out to the Poorvu Center team if you have any questions or to learn more about our programs.