Students outside Divinity School

Associates in Teaching Program

A graduate student and faculty collaborative teaching experience.

Offered in collaboration between the Graduate School of Arts and Sciences (GSAS) and the Poorvu Center, the competitive Associates in Teaching Program allows Ph.D. students the opportunity to expand their range of teaching experiences and responsibilities while receiving mentorship from a faculty co-teacher. 

Through the Associates in Teaching program, doctoral students collaborate with a faculty member to conceptualize or redesign, plan, and deliver an undergraduate course. The faculty member offers intensive mentorship and guidance throughout the co-teaching experience, which is a key benefit of the program.

Important Dates

The deadline for Fall 2025 and Spring 2026 course applications is January 15, 2025.  We hope to share final decisions by early March. Please note that there is one deadline for both semesters.

We recommend getting started on the application process as soon as possible, for several reasons:

  • The January 15, 2025 deadline applies to all materials, including the application and all approvals and letters of support.
  • this program involves collaborating on the design and the delivery of a course, and the application should include a provisional syllabus;
  • faculty leave schedules rotate;
  • you will need approval and letters of support from multiple parties; and
  • there may be multiple potential faculty co-instructors for particular course topics.

A conversation with your DGS, DUS, and/or advisor early in your graduate career can help you identify your options.

How to Apply

There are three categories for eligibility, pertaining to the graduate student, the faculty co-instructor, and the course itself.

Eligibility of graduate students:

You are eligible to apply for the program if you are a Ph.D. student in the Graduate School of Arts and Sciences (GSAS), and if you meet the following qualifications:

  • You will have advanced to candidacy by the time the course will be taught (note: the application may be made before advancing to candidacy).
  • Your thesis advisor and Director of Graduate Study (hereafter, DGS) have agreed to submit written approval.
  • You demonstrate a commitment to effective teaching through your statement about why you wish to teach in the program (see Application Materials and Procedures).
  • You are in good academic standing, as confirmed by the DGS.
  • You will complete your teaching in the program by the end of your sixth year of GSAS funding (or within the COVID-extension, if applicable).
  • You have taught for at least one semester (at Yale or elsewhere) before the semester in which you plan to teach through the AT program.

Funding and Notation Details: The AT program substitutes for one semester of required or stipendiary teaching within the graduate student’s regular stipend years (note: it does not extend the funding clock). Graduate students will be appointed at the rank of Part-Time Acting Instructor (PTAI), which makes them instructors of record alongside the collaborating faculty member.

At the conclusion of the course, the notation “Associate in Teaching” and the title of the course will be recorded on your transcript.

Eligibility of faculty members: 

Both instructional and ladder faculty are eligible to teach courses through the AT program. Faculty must provide evidence of success in teaching and working with teaching fellows in the portion of the application describing a history of effective mentoring (see Section 1, Application Materials), and through the DGS’s letter of support. Visiting faculty members, regardless of rank, are not eligible to participate in the AT program.

Eligibility of proposed course: 

Undergraduate courses of all types and formats, with the exception of First-Year Seminars, are eligible for the AT program. The course:

  • may be new or existing, if the course is going through a significant redesign;
  • must divide the work of course design equally between the faculty member and you, regardless of whether the course is new or redesigned;
  • must have a high likelihood of enrollment, and the proposal must provide strong evidence or rationale to that effect;
  • must be taught in a truly collaborative fashion between the faculty member and you, with the faculty member mentoring you throughout the semester to ensure teaching happens at a co-equal level.

Note: Many graduate students choose to teach courses closely related to their dissertations. However, because experience designing and teaching introductory and intermediate courses is highly beneficial for graduate students on the academic job market in most fields, we encourage you to consider courses at that level in order to gain broader teaching experience in your fields.

The deadline for Fall 2025/Spring 2026 courses is January 15th, 2025. Please note that this deadline applies to both semesters, and it also pertains to all materials. That includes:

  • The Application
  • Thesis Advisor Approval
  • DUS Approval
  • DGS Letter
  • Letter of Recommendation. 

Please note, Directors of Graduate and Undergraduate Studies may nominate as many courses as they choose.

The selection committee evaluates all applications using the Associates in Teaching Course Proposal Scoring Rubric. Especially important is the degree to which it is evident that you and the faculty member collaborated on the application and course design, as well as your plans for collaboration throughout the semester. 

Procedure for Submission

Thank you for applying to the Associates in Teaching (AT) Program! To complete this application, you will need:

  • To complete our Qualtrics application form which contains:
  •  (see link to send to DGS to upload their letter)The letter of support should be no more than 300 words and should contain:
    1. The DGS should describe the course’s role within the departmental curriculum (in particular, the potential for enrollment and gaps that the course fills within current offerings)
    2. The DGS should confirm that you, the graduate student, are in good academic standing.
    3. The DGS should describe the faculty member’s experience as a mentor and instructor.
    4. If the DGS is in a position to recommend you, the graduate student, that should come in the form of a separate letter of support (in addition to their 300-word approval), described below.
  • Please format file name as, ”Student Applicant Last Name Student Applicant First Name DGS Letter”

The graduate student applicant must share all relevant information with their DGS about the deadline, where to upload the letter, the format of the file name, and the contents of the letter (see below). 

  • A letter of recommendation from someone who can speak to your teaching  (see link to send to faculty recommender to upload their letter)
    • The letter of recommendation should describe the graduate student partner’s preparation for teaching. Please note:
      1. These letters can come from individuals outside the department and/or institution.
      2. Your DGS can be one of your recommenders, but their letter of support for you must be in addition to the 300 words they write in approval of the proposed course.
    • Please format file name as, “Student Applicant Last Name Student Applicant First Name Letter of Recommendation”
    • The graduate student applicant must share all relevant information with their recommender about the deadline, where to upload the letter, and the format of the file name. 

Your application will not be considered complete until we receive the appropriate materials from these individuals and you have completed the Qualtrics application form in full. All materials are due on January 15, 2025.

All student applicants will receive updates on December 12th and January 6th about their application status and what materials if any still need to be submitted (i.e., letter of recommendation, DGS letter). Any requests for updates, will be answered on December 12th and January 6th.   

A selection committee composed of former AT faculty and Poorvu Center for Teaching and Learning staff will review all applications and notify applicants by mid-February 2025. Please contact the Poorvu Center (askpoorvucenter@yale.edu) if you have questions about the program.

Below, we outline the responsibilities for graduate student and faculty participants.

Expectations for Graduate Students:

As a graduate student participating in the AT program, you should….

  1. Play a significant role in planning and designing the course rather than simply participating in the delivery of a course that has been fully designed prior to your involvement. In the case of teaching existing courses that are being redesigned, you might participate in:
    • refining and/or reconceptualizing the learning goals of the course;
    • decisions about texts and topics;
    • development of lectures, in-class discussions and activities;
    • development of written assignments, problem sets and labs;
    • development of tests, quizzes, and papers;
    • and/or the development of instructional technology.
  2. Play a significant role in the delivery of the course. In the case of a lecture course, this will mean preparing and delivering a reasonable number of the lectures for the semester (typically about half). In the case of a seminar course, you will take responsibility for a reasonable percentage of discussions. Wherever possible, you should co-lead discussions or share in the delivery of lectures.
  3. Attend all class meetings to observe and reflect on the faculty member’s teaching. Regular attendance allows you to participate in discussions about teaching.
  4. In lecture courses that use teaching fellows, you should not supervise teaching fellows nor in any way replace the supervisory responsibilities of the faculty member. You should, however, participate in all scheduled meetings of the course, including team meetings with teaching fellows, even if not in a supervisory capacity.

Expectations for Faculty:

Faculty members should…

  1. Fully involve you, the graduate student applicant, in designing or redesigning the proposed course. This process should begin no later than the beginning of the semester immediately preceding the teaching of the course and include:
    • refining and/or reconceptualizing the learning goals of the course;
    • decisions about texts and topics;
    • development of lectures, in-class discussions and activities;
    • development of written assignments, problem sets and labs;
    • development of tests, quizzes, and papers;
    • and/or the development of instructional technology.
  2. Fully involve you in the delivery of the class. This may mean allowing you to prepare (with guidance) and deliver some percentage of lectures, or lead a meaningful number of class discussions (typically about half). When possible and appropriate, faculty members may want to lead class together. In any case, the faculty member should always be present and remain attentive to your teaching. Joint feedback and reflection should occur on a weekly basis.
  3. Assume ultimate responsibility for the logistical aspects of the course in line with Faculty of Arts and Sciences guidelines, including:
    • acquiring a room,
    • ordering books,
    • and preparing resources. 
  4. Shepherd the course through the university course review process and make sure the course is appropriately listed and advertised.
    • The faculty member should arrange for a new course to be approved through the Course of Study Committee (a process that should be coordinated through the hosting department)

Previous Associates in Teaching

Instructors Department(s) Course Title

Gbolahan Adeolo and Stephanie Newell

English

Afropolitan Fictions 

Allegra Ayida and  Robert Harms

History

Riverscapes in African History

Samuel Ernest and Linn Tonstad WGSS Nightlives

Inês Forjaz de Lacerda and Aníbal Gonzalez

Spanish & Portuguese

Pacific Bridges: Asian Diasporas across Latin America

Hannah Keller and Jessica Thompson 

Anthropology

Being Human: The Neanderthal Dilemma 

Kenya Loudd and Ayah Nuriddin

African American Studies

Care Work: Intersectional Pedagogical, Experimental, and Theoretical Approaches to Healing

Nathaniel LaCelle-Peterson and Katie Trumpener

Film

East/West European New Waves: Life and Revolution in the 1960s 

Michael Lessman and Paul Franks

 Philosophy

Medieval Philosophy

Katy Maldonado Dominguez and Leigh-Anna Hidalgo

ER&M

Central Americans in the United States

Kelvin Ng and Sunil Amrith

History

Histories of Capitalism in Modern Asia

Sarah Ohashi and Paula Kavathas

MCDB

Immunity and Contagion

Carlo Sariego and Juno Richards 

WGSS

Queer Science

Sifana Sohail and Yarrow Dunham Psychology Bringing the Lab to Life: Fully Cycle Experimental Psychology 
Hana Stankova and Jinyi Chu Slavic Languages and Literatures The Stranger: Travel and Belonging Across Empires 
Lydia Tuan and Alessandro Giammei Italian Studies The Aesthetic an Rhetoric of Extra, Drip, Sfarzo, & Barocco

Instructors Department(s) Course Title

Emily Korzeniewski and Ameera Nimjee

Music

Performing Indigenous Creativities

Isaac Vock and Matthew Simon

MB&B

Modern Statistics for Modern RNA Biochemistry

Emily Cox and Molly Brunson

History of Art

Art and the Arctic

Minh Huynh Vu and Sunny Xiang

American Studies

I Don’t Like to Argue: The Styles and Politics of Humility

Naomi Gluck and Daisuke Nagai

Physics

Introduction to Scientific Computing & Data Science in Python

Gabrielle Reid and Kirk Wetters

Germanic Languages and Literatures

The Art of Failure

Deepika Padmanabhan and Maria Hierro

Political Science

Secession, Counter-Secession, and Accommodation

Faith Taylor and Alex Manning

Sociology

Carcerality and the Environment

Angela Vettikkal and Michael Della Rocca

Philosophy

Words and Whys: Premodern South Asian and Contemporary Readings in Metaphysics

Daniel Judt and Samuel Moyn

History

Ends of History

Daniel Swain and Langdon Hammer

English

Poetry and the City: The New York School

Instructors Department(s) Course Title

Spencer Small and Marijeta Bozovic

Russian/Film & Media Studies/Slavic Studies

War Games

Allison Chu and Gundula Kreuzer

Music

American Opera Today: Explorations of a Burgeoning Industry

Josefine Klingspor and Robin Dembroff

Philosophy

The Philosophy of Disability

Constanza Barchiesi and Jane Tylus

Italian

Dangerous Women: Sirens, Sibyls, Poets, and Singers from Sappho through Elena Ferrante

Isaac Jean-Francois and Jacqueline Jung

African-American Studies, American Studies, History of Art

Bodies, Senses, Representations: Medieval and Black Studies in Conversation

Katherine Daiy and Claudia Valeggia

Anthropology

Anthropology of Fat: Biology, Evolution, and Society

Lorenz Hegel and Moria Fradinger

Comparative Literature and Film & Media Studies

Radical Cinemas in the Global Sixties

Manon Gaudet and Edward Cooke

History of Art

Making, Picturing, and Marking Space: American Art and Material Culture in the Long Nineteenth Century

Jade Conlee and Brian Kane

Music

Latin Jazz and Pacific Pop

Joy Wang and Guilia Oskian

Political Science

Theorizing Empire

Caitlin Hubbard and Jill Campbell

English/Theatre

Global Encounters on the English Stage, 1660-1800

David Froomkin and Ian Shapiro

Political Science

Designing and Reforming Democracy

Ido Ben Harush and Paul North

German/Comparative Literature

Capitalism as Religion

Katherine McNally and Kathryn Dudley

Anthropology

Inequality and the Anthropocene: Thinking the Unthinkable

Will Johnson and Joran Booth

Mechanical Engineering

Intermediate Mechanical Design

Ziming Liu and Egbert Bakker

Classics

Party Like an Athenian: Art, Text, and Culture of the Greek Symposium

Nathalie Miraval and Cecile Fromont

History of Art

Making Monsters in the Atlantic World

Benjamin Kaplow and Jonathan Wyrtzen

Sociology

The State and Its Environment

hallie voulgaris and Jessica Peritz

Music

Music & Myth in Heavy Metal

Beshouy Botros and Alan Mikhail

History

An Arabic Atlantic and Middle Eastern Americas, 1492-1887

Instructors Department(s) Course Title

Daisuke Nagai and Aritra Ghosh

Astronomy

“Introduction to Scientific Computing & Data Science”

Kenneth Winkler and Bridger Ehli

Philosophy

“Mind in Modern Philosophy”

Ruth Bernard Yeazell and Colton Valentine

English

“The Victorian Problem Novel”

Richard Burger and Corey Herrmann

Anthropology

“The Green Hell and the Mother Serpent: Amazonian Archaeology, Ethnography, and Politics”

Tyler Pratt and Dana Stuster

Political Science

“Networks in International Relations”

Stephen Darwall and Moya Mapps

Philosophy

“Critical Perspective on the Canon”

Paul North and Netta Sovinsky

German

“How Poetry Can Change the World”

Joanna Fiduccia and Patricia Ekpo

History of Art

“Sculpture and the Human in the 20th Century?”

Emily Thornbury and Seamus Dwyer

English

“Laboring through the Middle Ages”

Jinyi Chu and Valeriia Mutc

Russian

“Science and Literature in Russia”

Claudia Valeggia and Victoria Harries

Anthropology

“Birth: Intersections between Biology, Culture, and Society”

Katerina Clark and Mina Magda

Russian

“Modernist Paris and Moscow”

Rüdiger Campe and Shira Miron

German

“I and Thou: Dialogue and Miscommunication in Theory and Literature”

Lindsay Wright and Áine Palmer

Music

“Transatlantic Ireland: Race, Place, and Global Popular Music”

Emily Sellars and Daniel Hirschel-Burns

Political Science

“The State, Conflict, and Political Order”

Instructors Department(s) Course Title

Jack Shaw and Professor Lidya Tarhan - Spring 2021

Geology & Geophysics

“Earth Surface Processes”

Andy Zhang and Professor María Piñango - FALL 2020

Linguistics

“The Cognitive Science of Sign Languages”

Beans Velocci and Professor Joanna Radin - SPRING 2021

History of Science and Medicine

“Queer Science”

Stephanie Nevin and Professor Bryan Garsten - SPRING 2021

Political Science

“What is Education For?”

Instructors Department(s) Course Title

Carolyn Jacobs and Professor Francesco Casetti

Film Studies

“Scared to Death: Fear of and in Media”

Catherine Slowik and Professor Brian Kane

Music

“Audile Techniques”-MUSI 184

Kendall Arslanian and Professor Claudia Valeggia

Anthropology

“Obesity: Evolution, Biology, and Society”

Kevin Feeney and Professor Noel Lenski

History

“Global Leadership: Lessons from the Ancient Past”-HIST 204

Mark Santolucito and Professor Scott Petersen

Computer Science

“Creative Embedded Devices” -CPSC 334

Nica Siegel and Professor Paul North

Germanic Languages and Literatures

“The Death Sentence: When the State Kills”

Niek Janssen and Professor Kirk Freudenberg

Classics

“Laughing Matters: Humor and Free Speech in Ancient Greece and Rome” -CLCV 211

Sarah Weston and Professor John Rogers

English

“Blake and Milton”

Trina Hyun and Professor Lawrence Manley

English

“The Drama of Justice and Mercy” -ENGL 210

William Watson and Professor Anna Zayaruznaya

Music

From Concept to Concert: Sources, Editions, and the Performance of Music” -MUSI 110

Instructors Department(s) Course Title

Roger Baumann and Professor Jonathan Wyrtzen

Sociology

Religion and Nationalism in America

Marco Ladd and Professor Gundula Kreuzer

Music

Listening to the Screen: Introduction to Film Music

Keri Lambert and Professor Robert Harms

History / African-American Studies

Commodities of Colonialism in Africa

Myles Lennon and Professor Professor Douglas Rogers

Forestry and Environmental Sciences / Anthropology

Energy and Power

Andrew Muehleisen and Professor Liza Comita

Forestry and Environmental Sciences

Pests, Parasites, and Pathogens: An Ecological Perspective

Juan Piñeros and Professor David Charles

Philosophy

Philosophy and Psychology of Emotions

Professor Michael Veal and John Klaess

Music

Hip-Hop and Dub: Musical Technologies of the Black Atlantic

Alexandra Reider and Professor Emily Thornbury

English

The Earliest English Literature

Nicholas Robbins and Professor Martina Droth

History of Art

Sculpture, Photography, and Modernism

Yasmmyn Salinas and Professor Andrew DeWan

Public Health

Genetic Concepts in Public Health

Wiliam Watson and Professor Anna Zayaruznaya

Music

From Concept to Concert: Sources, Editions, and the Performance of Music

Chris Hebdon and Professor Paul Kockelman

Anthropology

Thermodynamic Anthropology

Instructors Department(s) Course Name

Professor Matthew Jacobson and Anna Duensing

History

Introduction to Documentary Studies

Professor Emily Greenwood and Sarah Derbew

Classics

Africlassics: Conversations between ancient Greece, Africa and the Black Diaspora

Professor David Post and Larry Bowman

EEB

Limnology: the study of inland waters

Professor Francesco Casetti and Anna Shechtman

Film

Truth and Media: Information, Disinformation, Misinformation

Professor Valerie Hansen and Michael Rapoport

History

Islam in Asia

Professor Gundula Kreuzer and Annelies Andries

Music

Women on Stage: Baroque to Beyoncé

Professor Michael Veal and John Klaess

Music

Hip-Hop and Dub: Musical Technologies of the Black Atlantic

Professor Molly Brunson and Isabel Lane

Slavic

Ecology and Russian Culture

Professor Andrew Papachristos and Michael Sierra-Arévalo

Sociology

Criminal (In)Justice in the 21st Century

Professor Inderpal Grewal and Sahana Ghosh

WGSS

Gender and Global Development: Critical Approaches, Diverse Voices

Instructors Department(s) Course Name

Professor Narges Erami and Samar Al-Bulushi

Anthropology

Human Rights & Social Justice

Professor Erik Harms and Elliott Prasse-Freeman

Anthropology

The Anthropology of Human Rights

Professor Jessica Brantley and Ann Killian

English

Medieval Women’s Writing

Professor Stephanie Newell and Denise Lim

English, Sociology, African Studies

The Sociological Imagination in African Literatures

Professor Edward Cooke and Sequoia Miller

History of Art


Craft, Design, and Art: Domestic Architecture and Decorative Arts Since 1900

Professor Brigitte Peucker and Kirsty Dootson

History of Art, Film and Media Studies

Painting and Cinema

Professor Michael Della Rocca and Julia Borcherding

Philosophy

Reconsidering Early Modern Rationalism

Professor Katerina Clark and Masha Shpolberg

Program in Film & Media Studies

War on Film

Professor Frederick Wherry and Andrew Cohen

Sociology

Advertising & Society

Professor Leslie Harkema and Diego del Río Arrillaga

Spanish and Portuguese

Introduction to the Cultures of Spain

Graduate Student & Faculty Member

Department

Course Name

Andrew Womack & William Honeychurch

ANTH

Integrating GIS and Remote Sensing in Archaeology

Anya Adair & Roberta Frank

ENGL [LING]

History of the English Language

Carla Baricz & David Kastan

ENGL

Marlowe, Shakespeare, Jonson

David Auerbach & Danny Rye

GEOL

Dynamic Earth + Dynamic Earth Lab

Andrew Hogan & Joseph Manning

HIST

Egypt and the Classical World in the First Millennium B.C.

Mark Baker & Peter Perdue

HIST

History of Cities in Asia

Jakub Koguciuk & Robert Nelson

HSAR

Constantinople and Venice

Kirill Zikanov & Patrick McCreless

MUSI

Musical Composition, 1950 to the Present

Evan Rodriguez & David Charles

PHIL

Accounts of Moral Weakness

Wendell Smith & Corey O’Hern

PHYS [ENAS, MB&B]

Biological Physics

Robert Wickham & Ivan De Araujo

PSYC

Nutrition and the Brain

Jin Su Joo & Philip Smith

SOCY

Public Behaviors and Civic Design in Urban Spaces

Primary Contact

For questions about the program, please contact grad.teaching@yale.edu 

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